Well then rebuild the text by hand to get proper geometry and achieve some stunning high-end results with reflection, transparency and refraction that even the most stubborn of clients can appreciate.Ĭlass 4: Well continue to work with custom built text, tackling the ever-elusive beveled or chiseled type-face and explore C4D text tools to try to achieve this effect (spoiler: you cant).
#Fxphd c4d 視頻 how to
Well discuss analyzing real-world photographs as reference and how to use the built-in tools of C4D procedural algorithm shaders to replicate them without using pixel-based imagery.Ĭlass 2: Understanding the new Reflectance Channel in R16 compared to earlier versions and examine how legacy materials translate into the new Material Editor.Ĭlass 3: Well explore the convenience of using the Extrude Tool to quickly build text under the pressure of a deadline, but well examine the pitfalls of texturing and shading these models. Most recent projects have been focusing efforts in feature film VFX, 3D and motion graphics, as well as teaching courses in Cinema 4D.Ĭlass 1: Introduction to procedural layered textures versus bitmapped or scanned photography. Tony is a Los Angeles-based artist/photographer/illustrator and senior art director with 20+ years experience in high-end digital photo-compositing for motion picture print advertising clients Disney, Fox, DreamWorks, Universal, WB, HBO, Netflix and more. Note that some classes will use MoGraph and the Hair Module not available in all versions of C4D.
#Fxphd c4d 視頻 generator
Well also build low-poly models by hand and compare them to C4Ds Modeling Generator tools and then apply custom-built materials to achieve some superior results.
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